Art Basel, 15-18 June 2017

One of world’s most prestigious international art fairs, Art Basel began in 1970 with its inception and base being in Switzerland.

Recently, Rogers had the opportunity to attend the 2017 Art Basel event in Basel, Switzerland. Works by Damien Hirst, Anish Kapoor and Ai Weiwei were some of the highlights of the event. All three artists are renowned for their sculptural works and art being represented at Art Basel numerous times.

Damien Hirst exhibited ‘Cupid’s Lie’ at this year’s event, initially created in 2008. Sitting at just under 40 centimetres, ‘Cupid’s Lie’ is a fragile, skeletal sculpture, which was positioned atop of a black surface. Hirst created the detailed frame and feathered wings in gold.

Exhibiting two tree-inspired sculptures at this year’s Art Basel, Ai Weiwei continued with his highly complex work surrounding these sculptural forms. One of the sculptures, ‘Iron Root’, sits at 1.8 metres tall, and is created out of cast iron, mirroring the detailed form of a tree’s trunk.

Anish Kapoor exhibited a range of works at the event but what drew particular attention was one of his experiments with spatial voids. The stone piece uses alabaster to create the look of a seemingly freestanding centre encased by the heaviness of the stone.

Damien Hirst, Anish Kapoor and Ai Weiwei have long-standing associations with Art Basel.  The experience of being able to attend the 2017 Art Basel event and view the contemporary work in person was a great pleasure for Andrew Rogers.

Art Basel 2017

From Left: works exhibited by Ai Weiwei, Damien Hirst and Anish Kapoor

The Essence of Andrew Rogers: Sculpture

“To express one’s self is a timeless need – sculpture is a manifestation of this need and therefore relevant and beneficial.”

Andrew Rogers spoke recently at the National Gallery of Victoria about his journey with sculpture and land art and the ways life informs his practice.

Andrew Rogers’ sculptures connect with his audience and cause them to think, to learn, to wonder, to remember. His works delve into the complexities surrounding the human form; its essence and energy.  He wants them to engage with his sculptures, he wants them to touch and feel the smooth polished interior and the hard ribbed exterior. Doing so makes the sculptures become alive.

With no formal arts training, the process of Rogers mastering sculpture has been a prolific journey. This journey has been full of life, stories and memories, which have enriched his forms. He aims to capture the world’s vibrancy and beauty while also allowing for reflection and remembrance.

For Rogers, sculpting is an expression of the heart and not just an application of skill, it’s how he talks to his audience and how he relates to the world.

Anna Henry
08 July 2017

2017-07-08-The Essence of Andrew Rogers

Images:  Weightless 5, 2015, Bronze